A wonderful look at Oceanic art forms in the important Thames and Hudson 'World of Art' series. There are chapters on Sepik art, Maori art, the art of war, and of the body. It examines art in maternal symbolism and male cults; barkcloth (aka Tapa); feathers and their relation to divinity and the power of the chiefs; and how tourism has affected art in this region. Profusely illustrated in b/w with some colour photos. Of interest to students of art, the historian and the anthropologist.
The colours and patterns of the art of the Pacific Islands - spears and shields, carved canoe prows, feather capes or tortoisehell ornaments - have interested Western audiences since the voyages of Captain Cook and Bougainville. Oceanic art in particular, had an influence on the development of the European modernist movement, influencing artists such as Gauguin, Picasso, Giacometti and Kirchner. Until recently, the tendency in the West has ben to view the art of Oceania as "primitive", mysterious, shrouded in taboo. Nicholas Thomas, in this survey, goes beyond this view to discover the meaning and significance of art for the people of the Pacific. While each region has certain art forms and practices that characterize it - the ancestral carvings of Maori and Sepik ceremonial houses; rituals of exchange and warfare in the Soloman Islands; body art in Polynesia; and women's art forms, such as barkcloth - Oceanic art as a whole is continually being shaped by cross-cultural stimuli within the Pacific and beyond, combining local motifs and materials with new styles and techniques. The illustrations cover the works that evoke the most deep-rooted customs to those which address contemporary political issues.